PRESS

“Tar & Flowers’ poetic stories and engaging musical compositions grow more refined with each release, and showcase a genuine desire to connect with listeners.”

- Music Mecca (Sep 26, 2026)

"I can ride my Harley and listen to this music."

- Random Caller named Crab on Stay Or Go, 95.5 KLOS (Mar 31, 2023)

“Bailey Blue” is a beautiful acoustic ballad. The finger-picked melody is spectacularly emotive; there’s rawness to spaciousness in songs such as this one. It gives room for individual aspects of Hungerford’s musical talent to truly shine. His tender vocals carry such power — there’s a real depth to them that might not always be noticed on some of the louder, multi-layered songs on this electrifying output. And it leads into the outstanding outro “Home.” That’s exactly what comes to mind with each of those bluesy guitar twangs and the astoundingly atmospheric string swells. I picture a lonely southern ranch as Hungerford unleashes stunning vocal croons over ceaselessly switching-up acoustic melodies. Fantastic closer.”

- Annie Hollister, Indie Source (Mar 07, 2023)

“Their music is basically in the folk and country realm, but sometimes with a haunting, ethereal and timeless quality that nevertheless works to make the listener feel better about life, because it immediately lifts us from the quagmire, from the chaos, and in effect obliterates ugliness.”

- Michael Doherty, Michael Doherty's Music Log

"A thoughtful folk song that summons the living spirit of Bob Dylan in its eloquence and elevated writing."

- Bo Liebman, The Indy Review (Dec 20, 2018)

“Tar and Flowers' frontman Taylor Hungerford is no stranger to the honky-tonk lifestyle. Growing up on mountainside property owned by Roy Rodgers and working as a ranch hand on a Colorado farm after college, Hungerford has had folk and roots music embedded into his blood and bones. Our latest guest blog post features Hungerford's opinion on the changing world of Americana music and pays homage to pivotal songwriters within the genre.”

- Floated Magazine

“To be honest, I did not think I would enjoy the album as much as I did considering I’m not a huge fan of country music. Tar and Flowers definitely have country qualities but do not reside solely in that genre. I’d recommend that anyone who enjoys story telling songs with a heavy acoustic influence listen to 'Indian Summer.'”

- Shay Gauthier-Tar, 89.1 The Point

“Ten Ton Heart by Tar & Flowers out of Chatsworth, California has a wanderlust beat and folk country melodies. I thought of Beachwood Sparks, The Band and even Kris Kristofferson.”

- Robb Donker, American Pancake (Aug 16, 2018)

“It’s laid back, evocative, blending acoustic and electric instrumentation. Plenty of strum and twang behind the strong storytelling."”

- Doubtful Sounds, Post To Wire (Sep 03, 2018)

“It's a short listen, but it's a very full album.”

- Von Cloedt, Adobe & Teardrops (Sep 07, 2018)

“Flecks of guitar barrel down the canyon, and Tar & Flowers, a western outfit out of Los Angeles, are situated atop a great white stallion. Their stature is as towering as John Wayne riding into town, and “Rumor,” off their new album, Indian Summer, is as ghostly as it is encased in the earth’s crust.”

- Jason Scott, B-Sides And Badlands (Aug 31, 2018)

“You can’t avoid [Ten Ton Heart]. It digs deep into your ‘country’ habits you never thought you had.”

- CHF Staff, Come Here Floyd (Aug 04, 2018)

“Songs such as 'Ten Ton Heart,' are reminiscent of older groups such as The Byrds and Gram Parsons, giving Tar & Flowers a sense of timelessness.”

- Lauren Gribble, Listen Here Reviews (Jun 20, 2018)

'Lost' begins with a soothing and folky acoustic guitar with a fluttering style. The instrumentation blends several styles and feelings into one completely realized idea, giving the song its own unique individual personality.”

- The Butcher, The Music Butcher (Jun 06, 2018)

"This one is worth the effort. We recommend you grab it for your collection."

- Bob Leggett, Indie Voice Blog (May 29, 2018)

"Indian Summer opens with the dealings of “Danny”, draws Country Folk on the L.A.County line in “The Lovin’ Kind”, and layers instrumentation that surrounds the dreamscape story of “August” as Tar and Flowers quietly revs “This Machine” with fingerpicking and sings of “Summer at Michael’s House” backed by ghostly handclaps and determined rhythms."

- Danny McCloskey, The Alternate Root (Apr 15, 2018)